Bwana Devil

1952 "The world's FIRST FEATURE LENGTH motion picture in Natural Vision 3 Dimension"
4.5| 1h19m| NR| en| More Info
Released: 22 August 1952 Released
Producted By: United Artists
Country:
Budget: 0
Revenue: 0
Official Website:
Info

British railway workers in Kenya are becoming the favorite snack of two man-eating lions. Head engineer Bob Hayward becomes obsessed with trying to kill the beasts before they maul everyone on his crew.

Genre

Drama, Action

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Director

Arch Oboler

Production Companies

United Artists

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Bwana Devil Audience Reviews

SnoReptilePlenty Memorable, crazy movie
Intcatinfo A Masterpiece!
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
gjwslw-2 I was an usher at the Paramount Theater in Aurora, IL when this came out. The first 3-D movie. People were lined up for more than a block and we had to turn away many until the next showing. I was 15 years old and highly impressionable but this movie struck me as simply AWFUL! To this day I remember being embarrassed that people actually stood in line and paid good money to get in. How bad does a movie have to be to turn a 15 year old's stomach? Is there a rating for that. The only excitement was when a spear thrown by a "native" whizzed past the camera and the audience ducked. Avoid at all costs unless you enjoy bulimia.Jerry Weiland
AryeDirect I saw it the first day of its first run release at the Chicago Theater in Chicago in 1952. 'Bwana Devil' was the brainchild of radio director, Arch Oboler. - best known for the radio (and early live TV series) 'Lights Out'. Oboler's brother-in-law was Milton Gunzburg. Gunzburg was, I believe, the optician who connected the use of Polaroid lenses to the making of stereoscopic films. In 1952, television was stomping out movies and movie theaters the way rogue elephants could destroy villages. Hollywood was searching for any gimmick it could use to bring people back to the theaters. Cinerama, a cumbersome early widescreen process had come on the scene. It produced an 3-D like effect. That opened the door for Gunzberg and his brother-in-law. They called their process Naturalvision, raised some money to demonstrate the process, and produced 'Bwana Devil'.While the story and production values took a back seat to the illusion of depth, the picture was a hit. It was quickly followed by 'House of Wax' and others. Most producers opted to exploit the stereoscopic effects rather than make good movies. 'House of Wax' was one of the rare exceptions. After about a year, audiences tired of the shoddy productions, and Naturalvision eventually disappeared. Into the void Fox introduced CinemaScope, a flat wide-screen process, and helped stem the sinking theater system.I imagine seeing 'Bwana Devil' in flat projection would be painful. But for those of us who saw it with pristine prints, and quality projection, it was something to behold. Lions leaping off the screen into our laps was something few of us would forget.It has taken another fifty years for 3-D to return. Today's producers seem not to be making the same mistake as those in the early fifties. I hope so. After all, 3-D is so much more fun than flat.
Dale Haufrect, M.D., M.A. This film is worth seeing since it is a classic in the sense of being the very first full length film released in the process of three demention. It was not very good in its acting or story plot, but can be a great movie quiz question from an historical standpoint. It should be seen in the 3 D process with polarized lenses.
bux Bwana Devil is reputedly the first major studio, full length feature filmed entirely in the 3D process. Supposedly producer Oboler went to Africa to shoot a different movie, but after hearing the tale of two man-eating lions, terrorizing railway builders, decided on this one. It's a good story too, almost Hemmingway-like; fear, redemption, the great white hunter and all. It's the telling of the story that seems to drag, almost as though filming in the new process was too weighty for the crew. The action scenes are stiff, almost too staged. But these technical problems appear small in light of the film's dramatic conclusion.