The Baby Maker

1970 "The beauty of creating life. The freedom to give it away..."
6| 1h49m| R| en| More Info
Released: 01 October 1970 Released
Producted By: Robert Wise Productions
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Tish Gray had a baby and gave it up for adoption. She is contacted by a second childless couple who want her to have the husband's baby because of the wife's inability to have children. She accepts but finds that knowing the parents, and developing a relationship with them for the entire pregnancy complicates the simple arrangement.

Genre

Drama

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Director

James Bridges

Production Companies

Robert Wise Productions

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The Baby Maker Audience Reviews

Alicia I love this movie so much
Cubussoli Very very predictable, including the post credit scene !!!
Console best movie i've ever seen.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
hmoika I admit, I ordered the DVD of this film because it starred the young Barbara Hershey. Okay, sure, she is stunningly beautiful; but as we know, she is also a stunning actress. I'd never seen this film before last night......unless I've forgotten viewing it in the theater upon its release.Overall, what a lovely film. I'm an old softy, so a story like this would tend to get me; but as other reviewers have said, the stars made this story.In my opinion, it would be a mistake to fault the film because of a few things that, now, seem rather dated. The characters are subdued with their emotions (for the most part); and that they can pull it off is a sign of the actor's talents.But really, what else can I say other than: what a lovely tale, lovingly told.
nneprevilo People didn't want to THINK about this movie at the time it first came out. The idea that a childless couple, so desperate to have a baby, would have the husband meet a young surrogate at a hotel room to "make a baby" while the wife sits nervously at home, looking at the clock, anticipating his return home. That was too much for people. It was titillating and had a sleaziness to it.Sex can do a lot of things. Barbara Hershey was very good in her part and started to have "feelings" for the husband (this often happens after sex). She has a boyfriend (Scott Glenn), whom she catches in bed with another woman, which sends her over the edge.I don't remember the end, but I used to have this on tape. I wouldn't mind seeing it again.
zetes Barbara Hershey plays a hippie girl who is hired to have the baby of a middle class couple (Collin Wilcox-Horne & Sam Groom). The film deals with the clash of values between Hershey, along with her boyfriend (Scott Glenn), and the couple. It also deals honestly and surprisingly fairly with the emotional turmoil all four characters go through. Supposedly the film was dismissed upon its released because of the way it depicted hippie culture, but it is much more positive than a good amount of the films of the day (see Joe, for instance). It neither accepts nor dismisses either of the two classes, but instead deals with the four principals as individuals. The four characters are sensitively written (director Bridges, most famous for writing and directing The China Syndrome, wrote the script here, as well). Hershey, Wilcox-Horne (AKA Wilcox Paxton), Groom, and Glenn all give exceptional performances.
moonspinner55 An upper-class, childless couple in Southern California "hires" a comely hippie to bear the husband's baby (this being 1970, she conceives the old-fashioned way); soon, the straight-laced twosome are drawn into the young woman's world. Interesting, insightful, provocative (for its time), the movie does follow a typical by-the-numbers pattern (with an "open minded" boyfriend, jealousies and friction on all sides), but writer-director James Bridges is very tasteful and unhurried. He also gets some lovely shots of Barbara Hershey at her chestnut-haired, go-go-booted best (my favorites were her run across the street at the beginning, a stunning glimpse of her through a rain-soaked car window, and under the sheets in bed). The incredible finale refuses to compromise, and even though the medical aspects of the story are dated, the emotions are still on-target. *** from ****