Valley of Bones

2017 "Some things are better left buried."
4.2| 1h30m| R| en| More Info
Released: 01 September 2017 Released
Producted By: Unmarked Van Films
Country:
Budget: 0
Revenue: 0
Official Website: http://www.valleyofbonesthemovie.com
Info

A paleontologist gets a tip from an oil worker in the Badlands that may set her career back on track.

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Director

Dan Glaser

Production Companies

Unmarked Van Films

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Valley of Bones Audience Reviews

Colibel Terrible acting, screenplay and direction.
Greenes Please don't spend money on this.
Platicsco Good story, Not enough for a whole film
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
devonsolwold Dan Glaser's Valley of Bones is a compelling cinematic exploration of an interesting hybrid of genres. The kid in you watches wide-eyed at the mystique of paleontology and the "fortune and glory" that comes with uncovering dinosaur bones, while the thrill junkie in you is overcome with intrigue as a man who gets involved with the wrong people has to face the grueling consequences.The film has guts, both literally and figuratively. The director (Glaser) and lead actors (Molony and Reeser), don't pull any punches and therefore, thrash its audience perfectly through a roller-coaster ride of tension, heart, and unpredictability. Molony gives a stunning and nuanced performance as a desperate-addict-turned-drug-monster, mastering the characterization of a very complicated and sensitive man. Reeser confronts her role with grace as a struggling paleontologist and mother. Her performance was extremely refreshing, largely because this role would usually be given to a male actor. If this is a statement against the unsettling amount of leading men over women in Hollywood culture, then message received and hats off! Both leads were phenomenal.The team of VOB isn't concerned with adopting any tropes commonly used in cinema. They're creating their own rules, while respectfully staying within the general boundaries of coherent storytelling. In other words, I was constantly at the edge of my seat.Filmmakers seldom take the risk of brewing a mixing pot of conflicting genres because of their fear of having the end product come out half-baked. Thankfully, this is not the case for the VOB team. They tackled an unconventional concept and presented it fearlessly to a body of modern audiences who are usually accustomed to watered down, fluffy content produced by large Hollywood studios. The film can be ruthless and unforgiving, and I love love love that. I was frankly unprepared to be whipping around in my seat, and as an avid film goer, I can't think of anything I'd want more from a film. It is one of the small handful of films that I reflect on as an experience rather than a viewing. The VOB team is successfully paving the way for incoming filmmakers who want to make something new and different.Valley of Bones explores the dangers of running away from your problems, as well as a realization that sometimes the most valuable thing to uncover isn't what's buried among the bones, but rather, the importance of family. It is impeccably shot in the hauntingly beautiful Badlands, directed with tremendous care, and acted with a big, unflinching heart. It deserves everyone's eyes.
kathleengltn Really enjoyed this take on the western/noir/thriller genres. Particularly strong are the acting, music, cinematography, directing, and editing. Minor problems with pacing and dialogue can be overlooked in view of the entertaining story and strong characterizations. Congrats to this young team of filmmakers -- I hope to see more!
jlynn-25809 ND scenery was amazing considering I thought the western end of the state was bleak. Refreshing to see new actors, and faces- My reason for this- tired of the worn out faces of Hollywood. Steven Molony was such a refreshing new face that was an awesome character. Autumn Reeser is such a good actress, and so beautiful. It was a fun , refreshing movie- I hope there is a sequel!!
Zbigniew_Krycsiwiki Dingy, violent little number, about a paleontologist ( recently out of prison, and trying to redeem herself, obligatorily ) who receives a tip from a meth junkie ( with vaguely defined ties to, and undefined debt to, a drug cartel who is threatening his family ) about a tyrannosaurus Rex buried on a desolate plot of land in North Dakota, which could potentially be worth a fortune.Characters with overly cluttered backgrounds people this well photographed drama/ Western/ horror thriller, which never climaxes, so much as it just stops, with no resolution to any of its numerous plot lines. However, if we were to take out the overly complex character backgrounds, all we would be left with is the odd story of an archaeological dig, with the vaguely defined prize going to the undefined highest bidder, and again, some good cinematography, making good use of the bleak North Dakota land.This is another film ( similar to The Gracefield Incident, from a month or two ago ) which was filmed several years ago ( in this case, this was filmed from 5 October 2015 - 2 November 2015 ) and sat unreleased until its abrupt, barely advertised limited release ( in September 2017 ) and has barely any information on its IMDb page, or Wikipedia page, and doesn't have a Boxofficemojo page, and didn't get a Thursday night preview screening. I saw a trailer for this one single time, about a week ago, and there was a standee in the cinema lobby, and apparently that was all of the promotion this received. Edit: it now has a Boxofficemojo page, and this opened in a limited release, on only three hundred screens, bringing in $164.738, placing it at number 44 for opening weekend. The following week, it plummeted from 300 screens down to only 13, and from 44th down to 105th place.